SCREE (9:30) is a multi-channel electroacoustic piece referencing the various forms of weathering that, together with the forces of gravity, lead to the amassing of loose rocks and talus on the side of a mountain or cliff.

SCREE, Awarded the First Prize for Composition of Autonomous Art of Electroacoustic Music, Musica Nova 2017, Society for Electroacoustic Music of Czech Republic (Prague).

Artistic Direction: Lenka Dohnalová

Acoustic Projection: Juraj Duris

SINKING AIR (8:06) is inspired by the sudden downdrafts in rainstorms that are sometimes called microbursts.

SINKING AIR received the Premier Prix Electroacoustique, Concours International de Composition Electroacoustique de Monaco (2015), CICEM, Academy Rainier III, Artistic Director Mario Mary.

HORN VOLLEY (9:15) 2019 Multichannel Decomposition

HORN VOLLEY is a multi-layered electroacoustic decomposition encompassing resampled brass samples, noise impulses, and other percussive effects.

ARKOSE (7:45) 2010 Multichannel Acousmatic

In ARKOSE, a sound synthesis model derived from stick-slip friction is used to explore the interactions of sounds produced by slipping, sliding, and scratching.

ESKERS (9:00) 2009 8-channel Acousmatic

Eskers is a multi-channel piece that utilizes sounds produced by percussive gestures using the strings and soundboard of the piano. Through the application of granular synthesis routines, these sounds are transformed iteratively to articulate certain particle-based behaviors, resulting in the creation of multiple streams of statistical noise and other effects.